Reconsidering Organicism in Milton Babbitt\'s Music and Thought Shaker Music Theory: The Nineteenth-Century Treatises of Isaac Newton Youngs and Russel HaskellĪn Alternative Model of Fundamental Structure in Selected Lieder by Franz Schubert 69Ĭyclic Pitch Organization in the Twelve-Tone Works of Aaron CoplandĪnalytical Studies of Selected Cantatas by J.S. Rhetoric as a Heuristic in the First Movement of Beethoven's Third Sonata for Violoncello and Piano, op. Phrase Rhythm and Time in Beste-i Kadims - A Cyclical Approach Tonality and Modality in Finnish Folk MusicĮxamining Contrast in Popular and Rock MusicĬompositional Process and Parody in the Music of Gyorgy Ligeti Indiana University, Bloomington (Music Theory)Īnalytical Issues in the Toccatas of Girolamo Frescobaldi Part One: The Castle (Ballet for Large Orchestra) and Part Two: Hyperextended Chord Tones: Chromatic Consonance in a Tertian ContextĪ Theory of Irony in Music: Types of Irony in the String Quartets of Haydn and Beethoven. Playing with Patterns: Isorhythmic Strategies in György Ligeti\'s Late Piano Works The Wagnerian Satz: The Rhetoric of the Sentence in Wagner's Post-Lohengrin Operas Nietzsche, Debussy, and the Shadow of Wagner Incomplete Ursatzformen Transferences in the Vocal Music of Heinrich Schenker The Phenomenological Impact of Interface on the Analysis of Digital Music and Sonic Art University of Rochester - Eastman School of Musicĭrafts, Page Proofs, and Revisions of Heinrich Schenker’s Der freie Satz: the Collection at the Austrian National Library and Schenker’s Generative Process The Analytical Grundgestalt: A New Model and Methodology Based on the Music of Johannes Brahms
Meter as Process in Groove-Based Popular Music Reconstructing Tonal Principles in the Music of Brad MehldauĪn Analytical Model for the Study of Multimedia Compositions: A Case Study in Minimalist MusicĪnalysis of Bela Bartok's Performances to Selected Compositions Schenker and Schoenberg on the Tone and the Genius Symbiose d’un genre oublié, une mythologie archaïque et une langue morte Transformations and Hexatonic Tonnetz Spaces in Late Works of Schoenbergīilgamesh, un ballet-opéra en deux actes
The Development Section in Haydn's Late Instrumental WorksĪ Semiotic and Linguistic Approach to Music Analysis In Name Only: The Interaction of Title and Genre in the Sonata Forms of Debussy and RavelĮastman School of Music, University of Rochester Thematic and Formal Narrative in Respighi’s Sinfonia DrammaticaĪn Examination of 1920s Parisian Polytonality: Milhaud's Ballet La Creation du monde The Seventy-Seven Partitions of the Aggregate: Analytical and Theoretical Implications Listening to Conceptual Music: Technology, Culture, AnalysisĪ New Theory of Chromaticism from the Late Sixteenth to the Early Eighteenth Century Harmonic Schemata of Popular Music: An Empirical Investigation of Analytical Patterns and their Mental Representations All Dissertations | See New Dissertations Author
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